• Recording format: AVC-Intra 100/50 and DVCPRO HD. AVC-Intra 100 uses the 10 bit 4:2:2 sampling.

• Chromatic Aberration Compensation (CAC) function compensates for registration error and minimizes lateral chromatic aberration in lenses.

• Switchable between 59.94 Hz and 50 Hz recording for use anywhere in the world.

• SD (standard definition) codec (480/59.94i and 576/50i) supports DVCPRO 50, DVCPRO, and DV."'

• High FlO sensitivity at 2,000 Ix (at 1080i). Minimum illumination of 0.064 Ix (at +56 dB gain-up).

• 14 bit A/D processing, 12 pole linear matrix color correction function.

• DRS (Dynamic Range Stretch) provides a wider dynamic range with minimal blown highlights and blocked shadows.

• F-REC mode Cine-gamma and scan-reverse function. • 48 kHz/16 bit, 4 channel digital audio recording.

• Chromatic Aberration Compensation (CAC) function compensates for registration error and minimizes lateral chromatic aberration in lenses.

• APT (Advanced Progressive Technology) produces higher image quality with HD Progressive 3 CCD and 19 bit digital signal processor.

• 1080i and 720p HD recording using the DVCPRO HD codec for broadcast use assures both superior images and top reliability.
• 50 Hz/60 Hz selector function allows 1080/50i and 720/50p HD recording for PAL areas.

• SD (480i/576i) recording in DVCPRO 50, DVCPRO or DV multi-codec.

• Four P2 card slots allow continuous recording, card selection, hot swapping, loop rec, pre-rec, interval rec and one-shot recording.

• Text memos and shot markers can be added.

• 48 kHz/16 bit, 4 channel digital audio recording.

• Variable frame rate feature (in 720p, 11 steps) allows film-like low-speed or high-speed shooting.

• 720p native mode achieves a speed effect without requiring additional equipment. A VariCam-compatible 720p over 60p mode is also provided.

• Eight-mode gamma, includes two Cine-Like modes.

• Slow, synchro and high-speed shutter.

• Scene file, user buttons, user menu and focus assist functions.

• Output for HD/SD SDI (BNC), Video (BNC) and Component (D4), with built-in downconverter.

• TC input/output provides multi-camera synchro shooting. • IEEE 1394a (AVC, Host and Device), USB 2.0 (Device) interface.

• DC power supply for the BT-LH80WU LCD monitor.

• RCU terminal for optional AJ-RC10G or AG-EC4G remote control unit.

• Camera studio system (option) is supported.

• Featuring a new 1/3-inch MOS sensor for full-HD (1920 x 1080) resolution and Fl0"' sensitivity.

• Comes mounted with a Fujinon 1/3-inch 17x zoom lens (included).

• Chromatic Aberration Compensation (CAC) function.

• DRS (Dynamic Range Stretch) provides a wider dynamic range.

• Recording format: AVC-Intra 100, AVC-Intra 50 and DVCPRO HD.

• HD multi-format recording: 1080i and 720p.

• SD multi-codec recording in DVCPRO 50/DVCPRO/DV.

• 59.94 Hz/50 Hz selector function.

• Variable frame rate feature (in 720p, 20 steps) allows film-like low-speed or high-speed shooting.

• Seven-mode gamma, includes two Cine-Like modes.

• These redesigned shoulder-held cameras have a low center of gravity.

• Two P2 card slots are provided on the side operation panel.

• The One-Clip Record function enables multiple clips that were recorded separately by start/stop operations to be handled as a single clip.

• Scene file, user buttons, and focus assist functions.

• Waveform and vectorscope display.

• A color viewfinder featuring the Liquid Crystal On Silicon (LCOS) display panel for bright, high-resolution images.

• A high resolution, 16:9 aspect ratio, 3.2-inch LCD monitor.

• Output for HD/SD SDI and Video, with built-in downconverter.

• USB 2.0 (Host/Device) and IEEE 1394a (AVC)"' interfaces. TC IN, TC OUT and GENLOCK IN terminals.

• RCU terminal for optional AJ-RC10G or AG-EC4G remote control unit.

• Proxy data recording possible (with the optional AJ-YAX800G).

• Camera studio system (option) is supported. "1: Its

• New 1/3" 16:9 progressive CCD for high image quality and sensitivity,

• High-performance DSP with 14 bit A/D conversion and 19 bit inner processing capability,

• 20 step frame rate selector for creative variable-speed shooting, Features 720p native mode and over 60p/50p mode,

• Selectable gamma including Cinelike mode, .

• HD recording in 1080/24p, 1080/60i and 720/60p in 59,94 Hz model. (1080/25p 1080/50i and 720/50p in 50 Hz models.)"

• SD multi-codec recording in DVCPRO 50/DVCPRO/DV, 59,94 Hz: AG-HPX170/171, 50 Hz: AG-HPX171/172/173/174,

• Two P2 card slots allow up to 128 minutes of continuous HD recording when using 64 GB P2 card in full frame rate DVCPRO HD,

• Multifunction P2 capabilities, Hot swapping (changing cards while recording), loop rec, pre-rec, one-shot rec and interval rec capability,

• Text memos and shot markers can be added,

• 48 kHz/16 bit, 4 channel digital audio recording, XLR 2 channel audio input terminals supporting 48 V phantom power supply,

• New progressive CCD greatly improves SIN ratio and lowers smear.

• High-performance DSP with 14 bit A/D conversion and 19 bit inner processing capability,

• HD recording in 1080/24p, 1080/60i and 720/60p in 59,94 Hz model. (1080/25p 1080/50i and 720/50p in 50 Hz models.)"

• SD multi-codec recording in DVCPRO 50/DVCPRO/DV, 59,94 Hz: AG-HVX200A/201A, 50 Hz: AG-HVX201A/202A/203A/204A

• Multifunction P2 capabilities, Hot-swap (changing cards while recording), loop rec, pre-rec, one-shot rec, and interval rec functions,

• Immediate playback using a clip thumbnail display on the built-in LCD monitor.

• Built-in DV tape drive, Allows DV recording, down-conversion recording from P2 HD sources, and frame-rate conversion of clips recorded in native 720p, • 11 step frame rate selector for creative variable-speed shooting, Features 720p native mode and over 60p (or 50p) mode

• Auto or manual operation of cam-driven zoom, focus and aperture,

• XLR audio input terminals supporting 48 V phantom power supply, magnesium-alloy chassis, zebra, marker and tally lamp,

• Scene file, user buttons, white balance with ATW,

• IEEE 1394/USB 2,0: Directly mountable to Mac/Windows Non-linear editors, IEEE 1394 output for synchro backup recording, 1394 host mode for copying files onto an external HD,

• Analog component output, time-code setting via IEEE 1394, and camera remote